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We keep production levels low and manageable, thus ensuring quality is paramount. The emphasis at FIBONACCI® GUITARS is on quality, not quantity as we are in the privileged position of being under no pressure to compromise on any quality dictated by CEO's, or shareholders in a far off distant land. With the greatest of respect accorded to the mathematical genius of LEONARDO FIBONACCI®, the evolution of the ‘GOLDEN RATIO’ and all things ‘PHI’, other than musical scales, we do not play any ‘numbers’ game.
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All of the hardware products specified for use on a FIBONACCI® GUITAR are guaranteed to be genuine branded parts, produced only by authorised manufacturers. All final assembly, painting, nitrocellulose lacquering and hand finishing, using genuine quality components, takes place in the UK. In fact, it is the case that there are numerous recent album releases with recordings of FIBONACCI® prototype guitars ‘sprinkled’ all over them as part of this ongoing research and development process.Īll of the materials specified to produce a FIBONACCI® GUITAR, are seasoned and responsibly sourced without restriction, from various suppliers around the world. It ensures that the new designs are exposed to a wide variety of players, and are tested in a ‘real’ and demanding environment for refinement, before going into production. Our studio is critically important in the development of new products. Located in London, one of the World’s most vibrant international hubs for music, FIBONACCI® GUITARS is heavily influenced by its surrounding environment, and is settling nicely into its new facility adjacent to our independent recording studio. These collaborations continue at FIBONACCI® with all of our designs now independently manufactured and branded under FIBONACCI® GUITARS, or under the artist's own signature. Notably, releases such as the Martin Taylor Maestro & Virtuoso Signatures, the Retromatic ‘P’ & ‘B’ series, and most recently, the Jezebel and Retromatic 131 range.
Peerless guitars south korea serial#
Can somebody put up the list of serial prefix again that was a letter breakdown indicator for the plant production? I never can seem to remember them all.FIBONACCI® GUITARS evolved as a result of a difference in direction taken between Peerless Guitars in Korea, and its marketing and product development team based in the UK.įor many years now, the team behind FIBONACCI® has been instrumental in collaborating with various, artists, designers and luthiers in developing, and delivering to market, many of the recent releases previously manufactured, under license, by Peerless. I would say the fit/finish on it was also probably better than my EE as well. The newer white EE seemed to be much lighter, (like 2 or 3 pounds lighter). Also an EE I was amazed at the difference in weight between it and my own EE built one. Recently, I looked at a white g-400 CustomShop with standard Epi pickups. Still, the fit, finish, and playabilty are right up there with my Samick and Unsungs, (allowing for wear). I've also got a g-400 EE, I've tried to find something to dislike about it and don't hold it in as high of reguard as my Korean built ones. This is off topic but I'll add it just since it's current.
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Might be a tad better balanced as well, comparing g-400 to g-400's. I like my Unsungs and can't find fault with any of them, but my Samick just seems more comfortable and the neck joint profile is smoother for sure. Hard to really say much here as I've got three Unsungs and one Samick.